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While Eliot Porter certainly viewed his photographs as polemical, for him the argument seemed to end once the pictures were seen by the public. For Ketchum, by contrast, photography is just the starting point for an agenda of short-term exhibitions, mass mailings, public events, PowerPoint lectures and other tactics — sometimes subversive but always media savvy — that bring attention to his environmental causes. He traces that key difference with his precursor back to his own MFA work at the California Institute of the Arts.

Session fees may be waived and other perks are used as incentives for the teens to spread the word among their peers about their photo session. It’s a win/win situation — the kids love being part of a select group, and it costs the photographers little or no expense for effective marketing. C LO C K W I S E F R O M TO P L E F T: © TA M M Y S WA L E S P H OTO G R A P H Y; © L A R G O P H OTO G R A P H Y ( 2 ) coming 55 Opposite top: At a popular location for seniors called “The Legal Wall” in Rochester, New York, Swales positioned her subject to capture backlight flare then lit her from the front with a remotely triggered Canon 580EX Speedlite to highlight Jill’s bright green boots.

My prints are very personal and cannot be done by anyone else, even someone who works closely with me and might, to a degree, understand what I am after. Even then it can usually be no more than a synthetic likeness of what I would do. I have found it impossible, in most cases, to give even my own finished print as a guide and expect a satisfactory result. as is possible in the making of my first photographs, or at least making the least-important ones first, hoping that I gain a greater and greater understanding before the key interpretational pictures are made.

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American PHOTO - March April 2010 by American PHOTO


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